![]() Samuel Barber’s Solitary Hotel is like an Edward Hopper painting in music, Aaron Copland’s At the River invites pilgrims to the church meeting: “Yes, we’ll gather at the river” … The programme unfolds like a wheel, a cycle that traverses the cardinal points of life. The police, the ice cream vendor, the gospel choir all shout “AMORI” when they see him. Adèle continues: ‘The musical journey is immense, from the central repertory of American music – Barber, Copland, Ives – to cabaret songs (Heggie and Bolcom), with a detour by way of England: Britten, Vaughan Williams … For example, Jake Heggie’s Amor describes the journey across the city of faux-naif sex maniac. Both of them have drawn on their New York childhoods: ‘ Long Time Ago’ weaves together the threads of our lives’ says Susan. For her first album, she has devised a very personal programme, deriving in part from her musical partnership and friendship with the pianist Susan Manoff. Yes we'll gather by the river, the beautiful, the beautiful river, Gather with the saints by the river That flows by the throne of God. Wilding-White Shall we gather by the river, Where bright angel's feet have trod, With its crystal tide forever Flowing by the throne of God. While she has already attracted attention in the opera house, Adèle Charvet is also passionately interested in the song repertory. At the River Robert Lowry, 1864 Adapted by Aaron Copland Choral arr. ![]() In 2017 she received the Prize of the Verbier Festival Academy. ![]() ![]() The young mezzo-soprano Adèle Charvet joins Alpha for several projects.
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